Kazakina Katya wall Street Rush to Scoop Up Black Art Sends Prices Sky High

Lying, insane brian littleton, shareasale, Chicago, continues his heinous, malicious racist, detest crime computer hacking of this Federal nonprofit Positive Imagination Corporation:  disabling computers, destroying computers, daily hacking also Apple Ipad Air two, deleting entire blog materials for African American Visual Artists, obnoxiously interfering, with UNCULTURED, IGNORANCE, repeatedly, daily, hacking work of Positive Imagination and African American Visual Artists Intellectual Holding (Artwork) worth current total of more than $26 million in Sales just for this Blog and hacked, for example, Positive American Visual Artists Blog Number 75 to this nowadays blog, for example.  These brian littleton  hacked blogs can be downloaded by typing in name of "creative person" and "number in Search Box" for http://www.positiveimagination.me.  In that location is an ongoing FBI investigation for  VIOLATIONS OF CYBER Offense TRESPASSING INTRUSIONS, DESTRUCTION OF COMPUTERS AND INTELLECTUAL Holding (artwork), GENDER AND RACIAL DISCRIMINATION.  Address of Continuous Heinous, Malicious Figurer Hacking by brian littleton–Shareasale.com–15 W. Hubbard St., STE 500, Chicago, IL  60654, (312) 321-0487, shareasale@shareasale.com.  Merchants, Affiliates, Small-scale Business Owners, and Entrepreneurs besides warn to AVOID brian littleton and shareasale–not a legit and so-chosen 17 year onetime company:  promoting an surround of crime:  hacking, scamming, ripping off, robbing higher up, eg., Affiliates.

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LYNETTE YIADOM-BOAKYE–AND UNIVERSAL Fine art HISTORY–AN 8 Role Weblog–
Office 1– FOCUS–IMAGINATIVE BLACK Blended FIGURE PAINTINGS FOR VIEWING PURPOSES–(Blended Artistic Significant–MIXING Torso PARTS FROM Unlike OTHER Prototype SOURCES TO COMPLETE SUCCESSFULLY VISUALLY Center-CATCHING IMAGES)

PART two
PAINTINGS OF Black PEOPLE AND OTHER THEIR KINDS OF Art Past
BLACK ARTISTS Accept BEEN UNDERREPRESENTED IN PAST Fine art HISTORY.
These four example visual artists are changing this underrepresentation.
ane) British-Ghanaian author and artist Lynette Yiadom-Borakye (b. 1977),
ii) American artists Kerry James Marshall (b. 1955),
3) Kehinde Wiley (b. 1977), and
iv) Nigerian born (1983) Njideka Akunyili Crosby.

Office 3–THESE FOUR MILLIONAIRE EARNED VISUAL ARTISTS HAVE More A Current TOTAL OF $26 MILLION FOR THEIR Fine art SALES. Example DOCUMENTED ART RECORD BREAKING AUCTION House SALES FROM INTERNATIONAL SOTHEBY'South and CHRISTY'S
1) Auction Tape:  Lynette Yiadom-Boakye Sells for $one.5 1000000 ($1.575 million) at Sotheby's, New York, Nov. 16, 2017; Shattering Artists's Previous High Marking.  Victoria L. Valentine.  Nov. 9, 2017.  culturetype.com.

Lynette Yiadom-Boakye.  2011.  The Hours Behind You.  Oil. on Canvass.  98 iii/8 118 1/8 in.  (Approx. viii x 8 ft.–as an instance of large-calibration painting size).
5 realistic-abstract barefoot women dance joyfully; clad in short white dresses; in a traditional mural-similar limerick of of groundwork, middleground, foreground; definition of ascendant variety of dark-brown color nighttime to light value ranges.

Kerry James Marshall'due south 'By Times' Soars to Record-Setting $21.1 Million at Sotheby's, (New York) Artist Assumes Mantle every bit Most Expensive Living African American Artist.  Victoria L.  Valentine.  May 17, 2018.

Kerry James Marshall.  By Times.  1997.  Acrylic and Collage on Unstretched Sail.
114 x 156 in. (Approx. nine ten thirteen ft).   Sold for $21.one 1000000 Tape Sales…. "Artist Assumes Curtain as Most Expensive Living African Artist.  Victoria L. Valentine.  May 17, 2018.  culturetype.com
two) "Inspired by European masterworks such equally Georges Seurat'due south A Dominicus on La Grande Jatte, Marshall'southward canvas interprets the image of a leisurely Sunday afternoon.  The painting  imagines an African American experience in the park, a contemporary pastoral scene featuring black figures engaged in golf, croquet, waterskiing, and boating.  Meanwhile, lyrics past The Temptations and Snoop Dogg menstruum from two boom boxes on a picnic blanket."  (See also Kerry James Marshall.  http://www.positiveimagination.me by typing  Kerry James Marshall, Artist No. 52, in Search Box.)

Former President Barack Obama past Artist Kehinde Wiley.  Ongoing.  America'south Presidents' Exhibition, Second Floor.

Kehinde Wiley.  2018.  Barack Obama, born 1961.  Twoscore Fourth President, 2009-2017.  Oil on Canvas.  Photograph Realism.  Larger than Life Size.  Permanent Drove. National Portrait Gallery.  Smithsonian.  Washington, D.C.  npg.si.edu.  Estimated Commission $500,000.

Sarah Cascone.  February 20, 2018.  On View.  "The Obama Portraits Take additional Attendance to the National Portrait Gallery by More Than 300 Percent.  Since the paintings went on view last Tuesday, 72, 146 people have visited the museum.  news.artnet.com.

Run into as well positiveimagination.me.  Blazon in name of artist in Search Box.  Kehinde Wiley:  African American Visual Artists–Achievements–Series 32.  Also, include Amy Sherald and Kehinde Wiley–Working Draft–Achievements of African American Visual Artists Series–65.

iv) Njideka Akunyili Crosby Sets New Sale Record With Non-Figurative Painting, Proceeds Benefit Studio Museum in Harlem.  Victoria 50. Valentine.  May 22, 2018.  culturetype.com.  Sold for $3.4 Milllion ($3.375 One thousand thousand), Sotheby's New York, May 16, 2018.

Njideka Akunyili Cosby.  Bush-league Babies.  2017.  Acrylic, Xerox Transfers.  Colored Pencil and Collage on Newspaper.  6 x five ft.
From a distance, higher up, we just run into a constitute.  Squint eyes.   Look closer.  "There are photographic images of faces–some quite large, and others so small that y'all have to lean in and fully appreciate them."   Last Take a chance to Bid in a Stella Auction of Black Art.  dandelionchandelier.com.  (An auction to benefit the Studio Museum in Harlem'southward new building.)  Meet as well positiveimagination.me and use Search Box for Njideka Akunyili Crosby–Working Typhoon–Achievements of African American Visual Artists Serial 60.

Office 4– Past AND Contemporary ART HISTORY–LYNETTE YIADOM-BOAKYE
Thorough, careful studies of the post-obit example artists of by art history were, are, sources of inspiration, motivation, and ideas for paintings of Yiadom-Boakye–including her own imagination.
i) Edgar Degas.  French.  1834-1917.
2) Francisco Goya.  Castilian.  1746-1828.
3) Edouard Manet.  French.  1832-1883.

Yiadom-Boakye does share painterly similarities and connections with these 3 masters.  However, she has transcended to a level of ongoing innovative, imaginative, artistic composite Black figures that are connections to universal contemporary art history.  She has redefined, reformulated idea of PORTRAIT.  REDEFINED, her thought of portrait can be described as an imaginary composite figure, a mixture of a number of different body parts from many different sources.

WikiArt.org. has provided Public Domain for following three artists of the past.  WikiArt.org allows unlimited copying, distributing, and displaying of these images of public domain.

Edgar Degas.  The Light-green Dancer.  1979.  Pastel.  66 ten 36 cm.  Thyssen-Bornemisza Museum.  Madrid, Spain.  Public Domain.  WikiArt.org.

Francisco Goya.  The Duke of Wellington.  1812-1814.  Oil on Canvas.  52.4 x 64.3 cm.  National Gallery, London, Britain.  Public Domain.  WikiArt.org.

Edouard Manet.  The Fifer (Flute Player).  1866.  Oil on Canvass.  161 x 97 cm.  Musee d'Orsay, Paris.  Public Domain.  WikiArt.org.

Part five– Fair Apply
As an African American Federal 501c3 Nonprofit Corporation, Positive Imagination, Inc., will provide limited Nonprofit Fair Employ (educational, personal, noncommercial) based on U.S. Copyright Police for all artwork in this blog.  Nonprofit Fair Use is also an important positive style of promoting the Achievements of Imaginative, Creative Visual Artists and fostering a practice of lifetime valuing and viewing of the Visual Arts.

PART vi– POSITIVE CRITICAL THINKING SKILLS
Viewing art is a exercise of using Positive Critical Thinking Skills.  Some of these keyword skills can be used to enrich the viewing process of Yiadom-Boakye'due south imaginative figures.
ane) Observation
2) Questioning
3) Assay
4) Interpretation
5) Reflection
6) Inference
7) Discrimination
8) Evaluation
nine) Communication

Part 7– VIEWING DESCRIPTION OF Procedure FOR PAINTING IMAGINATIVE FIGURES–Not PORTRAITS NOR Real PEOPLE

TEN ART RESEARCHED COMPONENTS
Gifted with ability to painting chop-chop wet-on-wet technique, Yiadom-Boakye unremarkably completes a painting daily.  If the painting does non work, it is thrown away based on her self-evaluation criteria.
___1) She stretches her ain linen canvases and does not utilise priming, producing small highlights of raw canvas, for example, forth edges of various parts of figures.
___2) No preliminary drawing, model (sitter), and photography are used for these imaginary figures.  Instead, there are many sources:  her own gifted imagination, observations, memories, old photographs, magazine clippings, and scrapbooks organized according to body parts–hands, artillery, legs, etc.
___3) Her painterly figures can be described as composites–mixtures of many sources put together with utilize of rough sketching and improvisations on canvases.
___4) One time figures have been roughly sketched on canvas, dark or light visible brushstroke backgrounds are added.
___5) Visible brushstrokes testify muted (toned-down) value ranges of calorie-free to dark greens, blacks, grays, and a diverseness of browns for dissimilar variations of skin colors.  Some figures seemingly announced from nighttime backgrounds through use of these varied value ranges.
___6) Visible practical brushstrokes represent foregrounds, middlegrounds, backgrounds, similar  three parts of traditional landscapes.
___7) Well-nigh of her figures are not wearing shoes; shoes can be sources for dating historical time periods.
___8) The extreme whites of eyes are added last to these timesless imaginative realist-abstract figures.
___9) Painterly figures range from modest to larger than life size.
__10) Her paintings are displayed low, at middle level, preventing viewers from having to look upwards at imaginative figures calmly appearing to see beyond canvases.

Role 8– Following paintings, including exhibits, by Yiadom-Boakye are presented in chronological appointment order of completion.

Knave.  2011.  Oil on Sail.  78 7/8 x 47 iii/8 in.   (Approx. half dozen x 3 ft.).  Victoria Valentine.  October. 25, 2015.  Record Breakers:  Lynette Yiadom-Boakye, Mark Bradford and Religion Ringgold Reach New Auction Heights,  culture-blazon.com.

Christy's London Auction, October sixteen, 2015, sold Knave for more than than $690,736, Yiadom-Boakye's first record breaking auction.

The give-and-take "Knave" tin can mean a quack person.  Still, "the titles emanate from the associations I brand while working, on or looking at a painting, merely they are never meant to explain . . . ."  Paul Laster.  May 2, 2017.  Lynette Yiadom-Boakye talks near creating fictional characters through portraiture.  timeout.com.

Photo of Yiadom-Boakye two larger than life size new compositions equally a result of her honour of the 2012 Future Generation Prize established by the Victor Pinchuk Foundation, Kyiv (Kiev), Ukraine.

This international prize was awarded to artists nether the age of 35 and provided $100,000 ($60,000 in cash and $forty,000 toward production of new work).  The"jury praised Yiadom-Boakye for extraordinary paintings where darkness and light are articulated together…."

From November two, 2013–January 5, 2014, Yiadom-Boakye had her  above solo exhibit,
Verses, at the Pinchuk Fine art Centre.org.  Megan Okrand.  NEWS.  December 10, 2012.  Lynette Yiadom-Boakye Wins Future Generation Art Prize.  artinamericamagazine.com.
http://world wide web.pinchukartcentre.org; http://www..pinchukfund.org.

10 PM.  Saturday.  2012.  Oil Paint on Sheet.  2000 x 1300 mm.  Permanent Collection.  Presented by Tate Members 2012.  tate.org.uk.  London.

A full length effigy and full face up view of extreme white eyes echo the whiteness of striped 5-shaped pullover shirt.  Leaning against a night simple construction in middleground, this figure appears to exist looking into the altitude, merely at that place is no indication of a historical period, although, unlike most of her barefoot figures,  Yiadom-Boakye has simply suggested in this composition muted colored shoe shapes.

To the Last.  2013.  Oil on Canvas.  13 vii/8 x 12 in.  Souvenir of the Danjuma Collection.
Museum of Modernistic Art.  MOMA.  https://www.moma.

Ane of six works of art for this Museum of Art online showroom (Unfinished Conversations:  New Work from the Collection, March 19 – July 30, 2017), this closeup three-quarters face is dominated by vibrant, value range brown colors and balanced by highlights of compelling whites of eyes.

To Tell Them Where It'due south Got to.  2013.  Oil on Canvass.  60 ten 55 cm.  contemporary art society.com.  London.  (Donating great fine art to museums since 1910).

The backside of the  female person head composite is but every bit interesting equally her profile turned away from the viewer.  There is a balancing of muted value range browns and visual sketchy-similar brushstrokes.

Womanology 12.  2014.  Permanent Collection.  Collections_National Museums of African Art.  Africa.si.edu.  Smithsonian.  Washington, DC.

Womanology 12 is a provocative, questioning painting  combination of abstraction (background, foreground) and suggestions of realism depicting an upper body, wearing red, white beachlike attire.  Action is displayed by female looking into distance with aid of field glasses or binoculars.

The Work.  2015.  Oil on Canvas.  For Visiting Artist Talk.  Lecture.  Apr half dozen, 2017.  (7 pm)
Northwestern University Dept. of  Art, Theory, Practise.  grahamfoundation.org.  Chicago.

The higher up is a pensive pose that has been seen when attending a ballet concert.
Everything virtually this pose can advise concentrated seriousness before and after the performance.  This is also a meaningful momentary pose in muted greens and light browns which can also mean dedication to beautiful graceful movement and music.

Green Dancers.  Kunsthalle Basel, Switzerland.  First Institutional Solo Exhibition In Switzerland for A Passion to a Principle.  Nov. 18, 2016 to Feb. 12, 2017.

Yiadom-Boakye has mastered the use of dominant muted greens for attire and diverseness of browns for pare color.  Both green paintings of foreground and background reflect the joyous  rhythmic movements of  abstract painterly dancing.

Periphery.  2013.  Oil on Canvas.  Permanent Collection.  Purchased with funds from the Phyllis Cannon Wattis Endowment for Modern and Contemporary Art.
UMFA Utah Museum of Fine Arts.  Fine art of Piece of work:  Jubilant the Art of Labor and the Working World.  Educator Resources and Lesson Plans. 4/19/2017.

Muted colors  and visual brushstrokes boss this limerick.  Muted colors and visible brushstrokes go the Periphery surrounding the centered figure in a light bluish apparel besides dominated by visible brushstrokes.  A gifted writer and painter, Yiadom-Boakye, with a minimum of detail, has produced an abstract painterly way of mayhap getting the viewer involved in imagining a story, location, and this centered figure as character.

Lynette Yiadom-Boakye, and the other earned millionaire visual artists Kerry James Marshall,  Kehinde Wiley, and Njideka Akunyili Crosby are correcting indeed underrepresentation of Black people in painting and in other kinds of visual arts.  "Black artists, long overlooked and undervalued, at present occupy i of the hottest corners of the marketplace.  Famous buyers have included hedge fund managers KenGriffin, Steve Cohen and Jim Chanos, major museums, and CNN'south Anderson Cooper."  Katya Kazakina.  April 18, 2018.  Pursuits.  Wall Street Rush to Scoop Upwardly Black Art Sends Prices Sky High."  Bloomberg.com.

Other diversity ideas can too exist viewed http://www.ArtPal.com/mariedemerycom.

June 21, 2018.  Marie Demery.   PhD.  Researcher. Technological Visual Artist. Instructional Designer.  Writer.  President.  Federal Nonprofit Positive Imagination, Inc.

SUMMARY OF MISSION-GOALS of POSITIVE IMAGINATION, INC.
Promoting the combined practice of the healthy benefits of Positive Imagination, Visual Arts, Wellness, Technology (Computers, Internet, WiFi), research and development for the multicultural, multigenerational populations of Natchitoches Metropolis (18,000) and Parish (39,000), and across via web design.

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Source: https://positiveimagination.me/2018/06/19/lynette-yiadom-boakye-working-draft-achievements-of-african-american-black-visual-artists-series-number-83/

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